Karl Schoonover is Associate Professor in Film and Television Studies at the University of Warwick. He is the author of Brutal Vision: The Neorealist Body in Postwar Italian Cinema (U of Minnesota Press 2012) and co-editor of Global Art Cinema (Oxford UP 2010). His new monograph, co-authored with Rosalind Galt, is Queer Cinema in the World (Duke University Press, 2016). He has recently published numerous essays on Italian cinema, including on such topics as Giulietta Masina's gestures, Antonioni's sense of pollution, forgotten matter in Dario Argento's horror and on the problems that eco-docs have representing toxic waste.
This event is co-sponsored by the Institute for Advanced Studies and the Department of Cultural Studies and Comparative Literature at the University of Minnesota-Twin Cities, the Italian Cultural Center, and the Italian Program at the University of St. Thomas.
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